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London's Roman Amphitheatre

Address

​Located under
Guildhall Art Gallery
Guildhall Yard
​London EC2V 5AE

Contact us

Accessibility

​Call or email Guildhall Art Gallery for details

Opening hours

Monday to Saturday
10am - 5pm
Sunday
12pm - 4pm

Step into the ruins of London's Roman Amphitheatre and discover the hidden history under your feet.

In 1988, Museum of London archaeologists made an astonishing discovery that changed the face of Roman London. The capital's only Roman amphitheatre was located in Guildhall Yard, during an archaeological dig taking place in preparation for the new Art Gallery building project. In 2002, the doors to the amphitheatre opened for the first time in nearly 2,000 years.

Admission FREE

Short notice closures

The Gallery may need to close at short notice. For details, call 020 7332 3700 / textphone 020 7332 3803 for a daily recorded message or for more information

What's on

Free Roman Object Handling and Tours

Ever wanted to find out more about London’s Roman Amphitheatre or handle something nearly 2000 years old? Join a trained archaeologist for regular object handling and Amphitheatre tours. Find out more on the Events, Talks and Tours page.

Schools

We offer a diverse programme of curriculum linked workshops and tours for KS1-5. Take a tour of the Amphitheatre with an archaeologist, handle genuine Roman artefacts or arrange a self-guided visit by using our downloadable resources to help you plan your visit.

To find out more please visit our Schools page.

Families

This August, join us for an exciting quest. Go underground and back in time to experience London in the year AD 240. Discover London’s Roman Amphitheatre, pay your respects at the Temple of Mithras and relax at Billingsgate Roman Bathhouse by the river. Enjoy fun family activities at each location to complete the quest.

On the second Saturday of the month, join Guildhall Art Gallery for themed family activities. There is a a revolving programme of events, which may have you heading to the Roman Amphitheatre to handle 2000-year-old artefacts or creating arts and crafts based on the Victorian paintings that surround you.

To find out more, visit our Families page.

About the Amphitheatre

The discovery

When short stretches of Roman wall were unearthed in Guildhall Yard the site became a protected monument. The City of London decided to integrate the remains into its proposals for a new Art Gallery and construction work began in 1992, alongside ongoing excavations. The surviving remains include a stretch of the stone entrance tunnel, east gate, and arena walls. They are protected in a controlled environment, 20 feet below the modern pavement, in which they can dry out slowly without damage to the ancient stonework. The original extent of the outer wall is marked by a circle of black paving stones in Guildhall Yard.

Roman London

'Famous for its wealth of traders and commercial traffic'
This description of London in the 2nd century AD by the Roman historian Tacitus continues to define the City today. Londonium, as it was known, was one of the largest towns in Roman Britain and among the Empire's most significant settlements outside the Mediterranean. It was a hub of international trade; managed by traders who handled the importing of large quantities of luxury goods such as wine, oil, and cloth and the exporting of raw materials and slaves. It began in AD 47 as a settlement on two small hills on the north side of the Thames, currently occupied by St Paul's Cathedral and Leadenhall Market. With easy access to the sea and an advantageous position at the borders rather than the centres of existing tribal groups, Londinium quickly grew to be the most vibrant town in the whole province.

The Arena

'The whole place was seething with savage enthusiasm... in the course of the fight some man fell; there was a great roar from the whole mass of spectators...'
London's Roman amphitheatre was a venue for wild animal fights, public executions and gladiatorial combats. Although these violent spectacles were sometimes criticised, particularly by the growing Christian community, they attracted huge audiences. St. Augustine, writing in the 4th century AD, describes the infectious power of the crowd's mood on even the most disapproving visitor, 'he opened his eyes, feeling perfectly prepared to treat whatever he might see with scorn... He saw the blood and he gulped down the savagery... He was no longer the man who had come there but was one of the crowd to which he had come.'


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